Margoli Crantin Sectory 16

The Dominie was to preach his harvest sermon, and his flock was to join him in giving thanks to God for the bounties He had bestowed upon them. He had, indeed, blessed them with an abundant harvest that year; and now they had come to thank Him and be joyful. Conspicuous in the group was the little snuffy doctor, Critchel, looking happy among the people whose ills he had administered to for half a century. On Harvest-Sunday he could kiss and caress the bright faced little children he had helped bring into the world as fondly as a young mother. There, too, was the schoolmaster, with his ruddy face and his seedy clothes, ready to do his part in making Harvest-Sunday pass pleasantly, for indeed the crop was a matter of importance with him. And there was Titus Bright, for the merry little inn-keeper would have considered such a gathering incomplete without him. Titus was not so well thought of by the Dutch settlers since he gave up his little tavern for a big one, and had taken to boarding fine folks from the city.

The whole academic tendency of modern painting in Germany and Austria for the past fifty years has not been favorable to the best kind of pictorial art. There is a disposition on the part of artists to tell stories, to encroach upon the sentiment of literature, to paint with a dry brush in harsh unsympathetic colors, to ignore relations of light-and-shade, and to slur beauties of form. The subject seems to count for more than the truth of representation, or the individuality of view. From time to time artists of much ability have appeared, but these form an exception rather than a rule. The men to-day who are the great artists of Germany are less followers of the German tradition than individuals each working in a style peculiar to himself. A few only of them call for mention. Menzel (1815-1905) is easily first, a painter of group pictures, a good colorist, and a powerful pen-and-ink draughtsman; Lenbach (1836-1904), a forceful portraitist; Uhde (1848-), a portrayer of scriptural scenes in modern costumes with much sincerity, good color, and light; Leibl (1844-1900), an artist with something of the Holbein touch and realism; Thoma, a Frankfort painter of decorative friezes and panels; Liebermann, Gotthardt Kuehl, Franz Stuck, Max Klinger, Greiner, Truebner, Bartels, Keller.

• Alice Walton
• Alice Walton
• Alice Walton
• Alice Walton

This document is Copyright © 2008 Margoli Crantin. All rights reserved. Do not copy either electronically or otherwise without permission. Links and references to other Websites are not endorsements. Margoli Crantin provides no guarantees or warrantees concerning other sites. Links are only provided as a courtesy and for entertainment purposes only.