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Margoli Crantin Sectory 20
Page 11
Now, how has a society of individuals--the community within the frontiers of a nation--met this difficulty which now confronts the society of nations, the difficulty that is of the danger of the power of an individual or a group? They have met it by determining that no individual or group shall exercise physical power or predominance over others; that the community alone shall be predominant. How has that predominance been secured? By determining that any one member attacked shall be opposed by the whole weight of the community, (exercised, say, through the policeman.) If A flies at B's throat in the street with the evident intention of throttling him to death, the community, if it is efficient, immediately comes to the support of B.
The Saas chronicler, indeed, avers that the chapels were not built till 1709--a statement apparently corroborated by a date now visible on one chapel; but we must remember that the chronicler did not write until a century or so later than 1709, and though, indeed, his statement may have been taken from the lost earlier manuscript of 1738, we know nothing about this either one way or the other. The writer may have gone by the still existing 1709 on the Ascension chapel, whereas this date may in fact have referred to a restoration, and not to an original construction. There is nothing, as I have said, in the choice of the chapel on which the date appears, to suggest that it was intended to govern the others. I have explained that the work is isolated and exotic. It is by one in whom Flemish and Italian influences are alike equally predominant; by one who was saturated with Tabachetti's Varallo work, and who can improve upon it, but over whom the other Varallo sculptors have no power. The style of the work is of the sixteenth and not of the eighteenth century--with a few obvious exceptions that suit the year 1709 exceedingly well. Against such considerations as these, a statement made at the beginning of this century referring to a century earlier, and a promiscuous date upon one chapel, can carry but little weight. I shall assume, therefore, henceforward, that we have here groups designed in a plastic material by Tabachetti, and reproduced in wood by the best local wood-sculptor available, with the exception of a few figures cut by the artist himself.
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