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Margoli Crantin Sectory 11
Page 11
She was perfectly at home in the mountains, and spent much time in the huts of charcoal burners, huntsmen, or woodcutters, contented with the food they could give her and happy in her study. Thus she made her sketches for "Morning in the Highlands," "The Denizens of the Mountains," etc. She once lived six weeks with her party on the Spanish side of the Pyrenees, where they saw no one save muleteers going and coming, with their long lines of loaded mules. Their only food was frogs' legs, which they prepared themselves, and the black bread and curdled milk which the country afforded. At evening the muleteers would amuse the strangers by dancing the national dances, and then repose in picturesque groups just suited to artistic sketching. In Scotland and in Switzerland, as well as in various portions of her own country, she had similar experiences, and her "Hay-Making in Auvergne" proves that she was familiar with the more usual phases of country life. At the Knowles sale in London, in 1865, her picture of "Spanish Muleteers Crossing the Pyrenees," one of the results of the above sojourn in these mountains, sold for two thousand guineas, about ten thousand dollars. I believe that, in spite of the large sums of money that she received, her habitual generosity and indifference to wealth prevented her amassing a large fortune, but her fame as an artist and her womanly virtues brought the rewards which she valued above anything that wealth could bestow--such rewards as will endure through centuries and surround the name of Rosa Bonheur with glory, rewards which she untiringly labored to attain.
Higher up in the scale of life we get many instances which show various stages in the same progressive development towards greater care for the safety and education of the young. Among the larger lizards, for example, a distinct advance may be traced between the comparatively uncivilized American alligator and his near ally, the much more cultivated African crocodile. On the banks of the Mississippi, the alligator lays a hundred eggs or thereabouts, which she deposits in a nest near the water's edge, and then covers them up with leaves and other decaying vegetable matter. The fermentation of these leaves produces heat and so does for the alligator's eggs what sitting does for those of hens and other birds: the mother deputes her maternal functions, so to speak, to a festering heap of decomposing plant-refuse. Nevertheless, she loiters about all the time, like Miriam round the ark which contained Moses, to see what happens; and when the eggs hatch out, she leads her little ones down to the river, and there makes alligators of them. This is a simple and relatively low stage in the nursery arrangements of the big lizards.
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